12.09.2024—13.09.2024

Short Theatre

Art, Performance, Roma - La Pelanda - Angelo Mai

12.09.2024 H18:00
13.09.2024 H21:00
As part of Short Theatre 2024

Dates
12.09.2024
13.09.2024
Location
Roma - La Pelanda - Angelo Mai
Category
Art, Performance
Information

12.09.2024 H18:00
13.09.2024 H21:00
As part of Short Theatre 2024

On the occasion of the 19th edition of Short Theatre 2024 – VISCOUS POROSITY, Istituto Svizzero is pleased to collaborate on the production of performances by the artists and former fellows Igor Cardellini and Léa Katharina Meier.

Through performances, musical acts, listening spaces, the exchange of practices, and theoretical discussions, Short Theatre 2024 – VISCOUS POROSITY calls for a collective training in complexity and responsibility.


12.09.2024 H18:00
13.09.2024 H18:00
Igor Cardellini & Tomas Gonzalez + Colectivo utĂłpico

EL VIAJE
performative walk (1H)
La Pelanda, Rome

It’s a group trip to a nearby island. During this urban and rural walk, a guide challenges the expectations that this word (island) produces. By tracing their own personal history in relation to the landscape the audience traverses, the guide narrates the human and non-human flows, tying them to the concept of the border and questioning the exoticism that arises from it.

13.09.2024 H21:00
LĂ©a Katharina Meier

LA GRANDE-BIBLIOTECA-BAGNATA-UMIDA-LUBRIFICATA-VERGOGNOSA
performance (55′)
Angelo Mai, Rome

The work is part of a visual and performative research that focuses on books, libraries, and archives as intimate landscapes, conducted this year at Istituto Svizzero. The lesbian fairy tales created for this project simultaneously constitute, contaminate, and disorganize the archive, in which the audience is invited to participate.

 

Biographies

Igor Cardellini is a performance maker and visual artist. In the fields of performance and choreography, his research is influenced by his studies in anthropology, sociology, and political science. His research focuses on established power relations and how performative devices allow them to be questioned. He is a member of the Belluard Bollwerk festival committee, and as a journalist, he writes for various publications. In 2022-2023 he was a resident at Istituto Svizzero.

LĂ©a Katharina Meier (1989, Switzerland) is a visual and performance artist. Using clowning as a performative practice, her research focuses on notions of the ridiculous, abject, and joyous to create a visual and sensory universe that can embrace the audience. From her most intimate failures, she aims to develop a filthy, lesbian sense of humor. On stage, she tries to embody negative emotions to transform them into sources of pleasure. Narration, the body as an archive, grotesque femininity, shame, and infantilism are recurring themes in her work, which has been staged in numerous spaces and theaters in Switzerland, Italy, and Brazil (Arsenic, Tunnel Tunnel, MCBA, TU-Théâtre de l’Usine, Lateral Roma, Istituto Svizzero, PivĂ´ art and research). In 2021, she received the audience and jury awards at the Swiss Performance Art Awards for “Tous les sexes tombent du ciel.” This year, she was a resident at Istituto Svizzero and received the Irène Reymond Foundation award in Lausanne.

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