Choreographer and dancer Emma Saba has worked with Collettivo Cinetico, Clara Delorme, Cosima Grand, and Marie Jeger. In 2022, she created her first solo, la fine di tutte le cose / l’inizio di tutte le altre, co-produced by Emergentia. She is a member of Collectif Foulles< , co-creating Medieval Crack (2022) and Le cerveau mou de l’existence (2024). A graduate in contemporary dance from Manufacture – Lausanne (2021), she combines dance, singing, and self-hypnosis to revisit her classical musical heritage. Supported by Reseau Grand-Luxe and (ac)compagnons in 2024-2025, her next work premieres at Pavillon ADC in 2025-2026.

Sultan Çoban works at the intersection of the visual and performing arts. Her practice is characterized by a formally self-conscious exploration of space, time, and sound and engages in the question of how cultural identity is staged and performed. In most of her works, she draws on elements from specific cultural contexts to represent and recreate a certain period in time. She examines the translation and transferability of emotions between different linguistic and social contexts as well as performed identity. Sultan wears a lot of faces but rarely her own.

Sandar Tun Tun build their work around fabulation, new alliances and collaborative trajectories. Artist, dj and composer, they develop a sonic, spatial and performative practice focused on listening as a critical and sensitive responsiveness. Drawing on music social space and its transgressive perspectives their projects explore ways of reverence or interversion to inhabit dissonance, fragmentation and noise. Their research focuses on the modalities of transmission within aural cultures and engineered narratives, diasporic feelings and queer affects, and often leads to the experimentation of languages, strategies and co-composition processes.