11.09.2025—12.09.2025

Christian Sarcophagi

Archéologie, Conférence, Via Liguria 20, Roma

11.09.2025 H09:00-19:00
12.09.2025 H09:00-14:00

Dates
11.09.2025
12.09.2025
Location
Via Liguria 20, Roma
Category
Archéologie, Conférence
Information

11.09.2025 H09:00-19:00
12.09.2025 H09:00-14:00

Christian Sarcophagi: Iconography, Textual Sources, and Models

Register here to attend on 11.09.2025
Register here to attend on 12.09.2025

Conference organized by University of Bern and University Johann Gutenberg with the support of FNS.

The event will be held in English and Italian.

Early Christian sarcophagi preserve some of the earliest depictions of Christian art and impressively document the transformation processes from pagan to Christian imagery, as well as the emergence and development of new pictorial themes for a new circle of recipients. They thus reflect the exciting relationship with the society that produced and used them, as well as its concepts of the afterlife and hopes.

Despite their enormous potential, the last major symposium on early Christian sarcophagi was held a quarter of a century ago (1999). The basis for the new discussions on this topic is the series of the Repertory of Christian-antique Sarcophagi, completed in 2018, which now enables us to compare and discuss the objects in typological, stylistic, iconographic and cultural-historical terms. The good documentation of the material is counteracted by the fact that a large number of questions about early Christian sarcophagi remain unanswered.

This conference aims to help fill this research gap by devoting itself in detail to a special field within sarcophagus research. The enormous wealth of pictorial subjects on early Christian sarcophagi invites intensive study and possibly a new evaluation of the material. Thus, the conference will be dedicated to the iconography on early Christian and early Byzantine sarcophagi from various parts of the Roman Empire, whereby questions of style, provenance, dating and cultural-historical contextualization will also play an important role. Particular attention will also be paid to the relationship of the depictions to the textual sources and pictorial models. In addition, the outdated research consensus on early Christian sarcophagi will be questioned and updated.

Jutta Dresken-Weiland obtained her PhD in 1990 in Bonn. From 1990 to 1996, she worked at the German Archaeological Institute in Rome and received the Institute’s travel scholarship in 1991/1992. She completed her habilitation in Göttingen in 2002 and, since 2009, has served as an adjunct professor of Christian Archaeology and Byzantine Art History at the same university. Since 2002, she has been a member of the editorial board of the journal Antiquité tardive (Paris). In 2022, she was appointed Honorary Fellow at the DFG Centre for Advanced Studies Beyond Canon. Heterotopias of Religious Authority in Ancient Christianity. Her many publications focus on early Christian art in its various forms, with special attention to iconography and epigraphy.

Manuela Studer-Karlen is a Swiss National Science Foundation (SNSF) professor at the University of Bern. Her research has been supported, among others, by fellowships from Dumbarton Oaks (Washington, D.C.), the SNSF, and the Alexander S. Onassis Foundation. Her first book, published in 2012, focused on depictions of the deceased on early Christian sarcophagi. For her habilitation thesis on Christus Anapeson, published in 2022, she received the Franz Joseph II Liechtenstein Prize (University of Fribourg) in 2017. Her main research areas include the history of visual-cultural processes in Late Antiquity, the interaction between text, image and space in Byzantine churches, and medieval Georgian art. On 1 October 2025, she will take up the post of Professor of Byzantine Art at the University of Vienna.

Vasiliki Tsamakda is Professor of Christian Archaeology and Byzantine Art History at Johannes Gutenberg University Mainz. She completed her PhD in 2001 at the University of Heidelberg with a dissertation on the illustrated Chronicle of John Skylitzes from the 12th century, held in Madrid. Her habilitation, published in 2012 by the Austrian Academy of Sciences, focused on two Cretan painting workshops of the 14th century. Her research interests include, in addition to Byzantine manuscript illumination and monumental art, catacomb painting and Byzantine epigraphy. Vasiliki Tsamakda is a member of several international academic committees, and her research has been funded by institutions such as the German Research Foundation (DFG), the Alexander von Humboldt Foundation and the Leibniz Association.

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