Tiāmat Pan (she/they) aka Eva Migliavacca. In 2024, she completed her film acting studies at the Zeronove Academy in Milan and is currently enrolled in the DAMS curriculum Cinema, TV and New Media at the University of Roma Tre. Aspiring performer, actress and screenwriter. Her active projects include GEMI and Una delle Tante. GEMI focuses on the internal judgements of the audience influenced by improvised movement, which in turn is influenced by the environment and the music proposed by the audience. The second is a periodic documentation on social media of her own gender affirmation therapy on a medical, physical and psycho-emotional level. Her art focuses on the trans body and the perception of it.

Francesca Santamaria is an artist active in the Performing Arts. After training as a dancer at Balletto di Roma and at the Biennale College Danza in Venice, between 2018 and 2022 she danced for Roberto Zappalà, Moritz Ostrushnjak, Amos Ben-Tal, Manfredi Perego and Alexandra Pirici, among others. Her authorial journey begins in 2021 with the video dance work SHIFTING TOOLS, in 2022 she taked part in Incubator for futur_ choreograf_ CIMD and in 2024 she made her debut as an author with HOW TO SURVIVE IN CASE OF PERMANENT DAMAGE. At the same time as her authorial path, she graduated from the University La Sapienza in Rome in Discipline dello Spettacolo with a master’s thesis on dance dramaturgy and took part in various projects with the ASAC of the Venice Biennale from 2021 to 2023. Over the years her works have been presented in national and international contexts such as Vetrina della giovane danza d’autore, B.Motion – Operaestate, Romaeuropa Festival, Contemporanea Festival, MILANoLTRE, Danza in Rete. She is currently working on the trilogy « GOOD VIBES ONLY », in particular on the second chapter GOOD VIBES ONLY (the great effort).

Mariantonietta Sampaolo was born in Rome in 1962. After high school she worked as a textile designer and graduated in Philosophy at La Sapienza University. Since 1984 she has been studying contemporary dance with R. Garrison and G. Hobart and Afro-dance in parallel. From 1989 she approached the gestural and movement theatre of M. Ranieri (former I.R.A. theatre). From 1990 to 1995 she attended contemporary dance and Qi-cong workshops run by French choreographer S. Fiumani. She participates in seminars on dance and use of the voice, in Italy and abroad, collaborating in the realisation of various shows in the role of dancer and creator. In 2019, she completes the first level of training in Creative Movement (Garcia-Plevin method). In 2023, she worked as a mime at the Teatro dell’Opera in Rome. Passionate about music, she also currently works as a primary school teacher.

Elena Martello is a freelance dancer, creator and architect, currently based in Paris, Rome and Berlin. Active in the international dance scene, she takes part in research projects and large-scale productions collaborating with various choreographers and companies, including Sita Ostheimer, Damien Jalet, Maud Le Pladec. Her research on movement takes the form of a resonance ground, a place where physicality becomes a trace, ritual and memory of a deep and visceral connection with the authenticity of human experience. Interweaving heterogeneous practices and languages, it nurtures a hybrid and constantly evolving artistic identity, aimed at questioning cultural paradigms. Since 2022 she has been part of the Sita Ostheimer Company as a dancer and assistant in creation and transmission. At the same time she obtained a degree in Architectural Sciences at the University of Roma Tre. In 2024 she co-founded BLUMEN, an interdisciplinary collective that investigates the intersection of movement, sound and media art. She continues her authorial research with REVERIE, a solo project that explores the concept of identity through states of disorientation and metamorphosis of the body.

Daria Greco is a dancer and author who bases her choreographic research on the relationship between body mechanics and imagination. An associate artist of Salvo Lombardo’s Chiasma group (MIC), she also works with Carsten Sanger, Alice Gosti/Malacarne, Fabritia D’Intino, Clementine Vanlerberghe, Riccardo Guratti, DOM, Federica Santoro. Her authorial projects include Crangon Crangon (debut Short Theatre 2022); [parenthesis] (2022, with Jacopo Ruben Dell’Abate); Kern (2023, with JOMOON); Rampante (2023, with Ondina Quadri and Margherita Panizon); BALLETTI(2024). She is also the author of the audiovisual projects Crangon Eyes and Rampante. She was a co-founder of Ostudio, an artistic cohabitation project in the Torpignattara district of Rome, of SiR_sharing in Roma, a space for networking and sharing research practices aimed at performers in the capital, and has actively collaborated with Scup_Sport e Cultura Popolare, a self-managed Roman reality, where she initiated her didactic project PAUSA PRANZO_Classi di Danza Contemporanea. She conducts artistic research workshops for dancers and non-dancers. She is a movement coach for actors and circus performers.

Clara Delorme is an artist based in Lausanne. As a dancer she worked for Nicole Seiler, Dalila Belaza, Mark Lorimer, Yasmine Hugonnet, among others. In her projects, she creates monochromatic spaces and characters that inhabit them. She likes to use colors one by one and imagine a whole and a character for them. With each creation, she wants to give space to the things that human beings have and that don’t need much space to shine and be beautiful, like being strange, old-fashioned and disconnected, or deep sadness. In 2020, she won the PREMIO award for her work Malgrés (green), and in 2022, she was selected for the Swiss Dance Days with her piece L’albâtre (white). In 2023, she won the Label + Romand with Le repos (blue). She co-founded Arts_sainement, an association fighting discrimination and abuse in the performing arts, and LIEU COMMUN, a research residency and meeting place in Lausanne. She is currently living in Rome for a ten-month residency at Istituto Svizzero, where she is working on different formats projects.

Loredana Canditone is a dancer and performer. Graduated in DAMS at the University Roma Tre (2014) and graduated from the Three-year Professional Course in Contemporary Dance of the Balletto di Roma (2018), artistic direction Roberto Casarotto, she continued her training by participating in workshops with artists in Italy and abroad. She participated and collaborated with Jorge Crecis in the project Towards Vivencia (2018/2019). She has worked as performer in CAMPFIRE/dove comincia l’incendio by DOM- (2021), La buca by Leonardo Delogu/DOM- (2022); Trespass, processing an emerging choreography by Marta Olivieri (2018-2022); Le mouvement n’empêche pas la froideur de la pierre by Ludivine Large-Bessette (2023). She is currently a performer in the projects Trespass, tales of the unexpected by Marta Olivieri (2022-2025) a show accessible to blind and visually impaired people, Healing together by Daniele Ninarello (2022-2025). She leads workshops in movement and contemporary dance. She considers study an endless process, to be nurtured and shared.

Luca Camuffo is a dancer. He attended the National Dance Academy in Rome and then the three-year course in Performing Arts and Sciences at La Sapienza University. Alongside his academic studies, he pursued a personal training path, gaining various experiences in contemporary dance, somatic techniques and improvisation; he also did an internship with the Atacama Company. From 2015 he began a personal exploration of improvisational dance with the group Musica sulla pelle and Progetto Eukromia, realising site specifics performances and participating in various street arts festivals investigating the connections between dance, visual arts and live music. Since 2023 he has been a member and dancer of the Collettivo Sensoriale based in Rome.

Gianmaria Borzillo is a dancer, performer and director. His creative research moves within several languages: dance, performance, literature and cinema, in the need to realise works dictated by a transdisciplinary compositional freedom, in constant dialogue with the encounters that emerge during his research path. Music is the starting point for the creation of his dramaturgies. After graduating as a dancer at the Civica Scuola di Teatro Paolo Grassi, he graduated in Modern Literature, continuing his studies in Cinema and Literature at the Sorbonne in Paris. He is among the performers in Alessandro Sciarroni’s works; he has also collaborated with Chiara Bersani and Antonio Tagliarini. His first choreographic work, Under the influence, received a special mention from the Venice Biennale’s call for directors, and a mention from the jury of the Leo De Berardinis prize. His latest work, Femenine, is among the winning projects of the Nouveau Grand Tour of the IIC Paris and was supported by CENTQUATRE-PARIS, Peggy Guggenheim Collection and Oriente/Occidente.

Lorenzo Aprà Nocentini, dancer and performer, began his artistic studies at the Liceo Arte e Spettacolo of the Teatro Nuovo in Turin; after graduating in 2014 he chose to continue his studies, specialising in Musical Theatre, at Laine Theatre Arts (UK) graduating with a Level 6 Diploma in 2017. In the years that followed he collaborated with Pablo Bronstein, Ricci/Forte, Monica Secco, Marta Bevilacqua and the Arearea Company, Hennis Brokehaus and Valentina Escobar, at Lyric Symphonic Foundations, theatres and galleries such as Ogr Turin, WeGil and Next Museum in Rome. He continued his research on movement and voice by deepening the Applied Vocal Physiology method (Lichtenberger® Method) by Gisela Rohmert from 2017 to 2021. He completed the Level I Academic Diploma in Contemporary Dance at the National Academy of Dance in Rome with top marks and continued his training with the Laban/Bartenieff Movement Studies Level 2 at the WholeMovement institution. Lorenzo combines movement research with the practice and teaching of Yoga, RYT 350hr.

Tony Allotta, performer and theatre educator. Author of Lettere Rubate – cercando Fernando Pessoa là dove non è mai stato, La vita davanti, inspired by Roman Gary’s novel of the same name, and the Pasolinian performance walk Come cani senza padrone. He is part of the collective against serophobia named Conigli Bianchi. Co-editor of the book Sierocoinvoltə – la rivoluzione sessuale riparte dall’HIV (Eris edizioni). He is the Caliph in Paolo Sorrentino’s The New Pope series. He is part of the project The present is not enough by Silvia Calderoni and Ilenia Caleo.